Giving Thanks and Thanksgiving

This is the time of the year in the U.S. that we celebrate Thanksgiving, a holiday meant to remind us of all the people and things in our lives that we have to be thankful for.  Despite the turmoil in the world, I do feel very thankful for my family, my work, and the friends I share my life with.

I'm also very thankful for ExhibiTricks Readers and Subscribers!  I really appreciate the thousands of you who read this blog each and every week.  If you ever have ideas or suggestions for ExhibiTricks, feel free to email me.

And now, without further ado, here is one of my favorite posts about ways of thanking our donors, community supporters, and stakeholders:

Many Ways To Say Thanks

Most donor recognition installations in museums are really ways to say thanks.  And who could argue with that?

But you can thank someone with the equivalent of a cheap mass-produced card you grabbed on your way home, or with the donor recognition version of a homemade loaf of bread accompanied by a carefully chosen book inscribed to the recipient.

Last month I asked museum folks for images of interesting and thoughtful examples of donor recognition.  I received an avalanche of images --- many more than I'll include in this post, so I've gathered all the images that I've received into a free PDF available for download from the POW! website.

Just click on the "Free Exhibit Resources" link near the center-top of any page on the website, and you'll see an entire collection of free goodies, including the newly added link called "Donor Recognition Examples."  Once you click on the link you'll get the PDF of images. (Be patient --- it's a BIG file.)

So what sorts of images and examples of donor recognition did I receive?  They fell into several larger categories, namely:

• Frames and Plaques

• Walls and Floors

• Genre Specific

• Mechanical/Interactive

• Interesting Materials

• Digital Donor Devices

So let's take each of the six categories and show a few examples of each.


FRAMES and PLAQUES

I'm sure you've seen lots of bad examples of this donor recognition approach, but there is a lot to be said for the simplicity (and creative twists!) that can be employed using this technique.

The image at the top of this post is a nice example of "helping hands" (but still essentially plaques) in this category from the Chicago Children's Museum.

I like the use of colors and the physical arrangements in the following two examples. The first pair of images comes from the Children's Museum of Pittsburgh (with bonus colored shadows!)

The next is a sert of back-lit elements designed by Skolnick A+D Partnership for the Children's Museum of Virginia --- The entire unit is essentially one big lightbox!

Light is also used as a strong element in the image below from Macalester College.  The folks from Blasted Art used Rosco's Lite Pad product to create the glowing text.

Lastly, I like this simple example from the MonDak Heritage Center.  Just frames, but it does the job nicely.

WALLS and FLOORS

Sometimes donor recognition wants to be BIG, in an architectural sense, so interior or exterior walls are used  --- and sometimes even floors!

Here are two exterior wall examples that stood out.  The first from the Creative Discovery Museum

 

And the second from the Oakland Museum.  They are both colorful and animate nicely what would otherwise be a big blank wall.

 Here's a nice interior wall from Discovery Gateway, in Salt Lake City

 

Each of the pieces is back-laminated graphics on acrylic.  (Here's a detail.)

Of course, even the best-laid donor recognition plans can get circumvented by operational issues!

 

And lastly, here's a floor example from The National Museum of Nuclear Science and History.  It's the Periodic Table with donors in each element.

GENRE SPECIFIC

Several people sent examples of genre specific donor recognition designs.  A popular motif is to use collection objects or images, especially in the case of Natural History Museums.

Here is the Specimen Wall from the California Academy of Sciences.  It's an elegant  low-tech solution that features specimen reproductions encased in laminated glass. The wall was conceived by Kit Hinrichs and realized in collaboration with Kate Keating Associates, with fabrication by Martinelli Environmental Graphics and glass by Ostrom Glassworks.

Here's a clever use of old school tabletop jukeboxes to recognize donors to radio station WXPN put together by Metcalfe Architecture & Design in Philadelphia.

MECHANICAL / INTERACTIVE

In the same way that interactive exhibits are fun and memorable, donor recognition can be too!

Gears are a popular motif in this regard.  The first image (Grateful Gears) is from an installation at the Kentucky Science Center, while the second is from the Madison Children's Museum.

INTERESTING MATERIALS

Sometimes the design element that gets people to stop and actually read the donor names are the unusual materials that the donor recognition piece is made of. If the materials relate to the institution itself, so much the better!


This first image comes from the San Francisco Food Bank

The next is from the Museum Center at 5ive Points, in Cleveland Tennessee which has a strong history of copper mining.  So this intricate donor recognition piece is made from copper!

I love this clever use of miniature doors and windows at the Kohl Children's Museum.  You can open doors and windows to reveal additional information about donors.

The last entry from this section is the truly striking three-dimensional "Donor Tree" from the Eureka Children's Museum in the UK.

DIGITAL DONOR DEVICES

As with all museum installations, digital technology plays an increasing role --- even in Donor Devices.

One unit that stood out was this digital donor recognition device at the National  Historic Trails Center that solicits donations in real-time and puts up digital "rocks" on the rock wall screen of different sizes --- depending on the size of your donation, of course!  A really neat idea that beats a dusty old donation box,  hands down.

As I mentioned earlier, these images are really the tip of the iceberg.  So please check out the entire PDF of all the images I received by heading over to the "Free Exhibit Resources" section of my website.

Also, if you have some other really good examples of donor recognition installations or devices, feel free to contact me and email them along, and I can share them in future ExhibiTricks posts.

Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

P.S. If you receive ExhibiTricks via email (or Facebook or LinkedIn) you will need to click HERE to go to the main ExhibiTricks page to make comments or view multimedia features (like videos!)

Many Ways To Say Thanks

Most donor recognition installations in museums are really ways to say thanks.  And who could argue with that?

But you can thank someone with the equivalent of a cheap mass-produced card you grabbed on your way home, or with the donor recognition version of a homemade loaf of bread accompanied by a carefully chosen book inscribed to the recipient.

Last month I asked museum folks for images of interesting and thoughtful examples of donor recognition.  I received an avalanche of images --- many more than I'll include in this post, so I've gathered all the images that I've received into a free PDF available for download from the POW! website.

Just click on the "Free Exhibit Resources" link near the center-top of any page on the website, and you'll see an entire collection of free goodies, including the newly added link called "Donor Recognition Examples."  Once you click on the link you'll get the PDF of images. (Be patient --- it's a BIG file.)

So what sorts of images and examples of donor recognition did I receive?  They fell into several larger categories, namely:

• Frames and Plaques

• Walls and Floors

• Genre Specific

• Mechanical/Interactive

• Interesting Materials

• Digital Donor Devices

So let's take each of the six categories and show a few examples of each.


FRAMES and PLAQUES

I'm sure you've seen lots of bad examples of this donor recognition approach, but there is a lot to be said for the simplicity (and creative twists!) that can be employed using this technique.

The image at the top of this post is a nice example of "helping hands" (but still essentially plaques) in this category from the Chicago Children's Museum.

I like the use of colors and the physical arrangements in the following two examples. The first pair of images comes from the Children's Museum of Pittsburgh (with bonus colored shadows!)

The next is a sert of back-lit elements designed by Skolnick A+D Partnership for the Children's Museum of Virginia --- The entire unit is essentially one big lightbox!

Light is also used as a strong element in the image below from Macalester College.  The folks from Blasted Art used Rosco's Lite Pad product to create the glowing text.

Lastly, I like this simple example from the MonDak Heritage Center.  Just frames, but it does the job nicely.

WALLS and FLOORS

Sometimes donor recognition wants to be BIG, in an architectural sense, so interior or exterior walls are used  --- and sometimes even floors!

Here are two exterior wall examples that stood out.  The first from the Creative Discovery Museum

 

And the second from the Oakland Museum.  They are both colorful and animate nicely what would otherwise be a big blank wall. 

 Here's a nice interior wall from Discovery Gateway, in Salt Lake City

 

Each of the pieces is back-laminated graphics on acrylic.  (Here's a detail.)

Of course, even the best-laid donor recognition plans can get circumvented by operational issues!

 

And lastly, here's a floor example from The National Museum of Nuclear Science and History.  It's the Periodic Table with donors in each element.

GENRE SPECIFIC

Several people sent examples of genre specific donor recognition designs.  A popular motif is to use collection objects or images, especially in the case of Natural History Museums.

Here is the Specimen Wall from the California Academy of Sciences.  It's an elegant  low-tech solution that features specimen reproductions encased in laminated glass. The wall was conceived by Kit Hinrichs and realized in collaboration with Kate Keating Associates, with fabrication by Martinelli Environmental Graphics and glass by Ostrom Glassworks.

Here's a clever use of old school tabletop jukeboxes to recognize donors to radio station WXPN put together by Metcalfe Architecture & Design in Philadelphia.

MECHANICAL / INTERACTIVE 

In the same way that interactive exhibits are fun and memorable, donor recognition can be too!

Gears are a popular motif in this regard.  The first image (Grateful Gears) is from an installation at the Kentucky Science Center, while the second is from the Madison Children's Museum.

INTERESTING MATERIALS

Sometimes the design element that gets people to stop and actually read the donor names are the unusual materials that the donor recognition piece is made of. If the materials relate to the institution itself, so much the better!


This first image comes from the San Francisco Food Bank

The next is from the Museum Center at 5ive Points, in Cleveland Tennessee which has a strong history of copper mining.  So this intricate donor recognition piece is made from copper!

I love this clever use of miniature doors and windows at the Kohl Children's Museum.  You can open doors and windows to reveal additional information about donors.

The last entry from this section is the truly striking three-dimensional "Donor Tree" from the Eureka Children's Museum in the UK.

DIGITAL DONOR DEVICES

As with all museum installations, digital technology plays an increasing role --- even in Donor Devices.

One unit that stood out was this digital donor recognition device at the National  Historic Trails Center that solicits donations in real-time and puts up digital "rocks" on the rock wall screen of different sizes --- depending on the size of your donation, of course!  A really neat idea that beats a dusty old donation box,  hands down.

As I mentioned earlier, these images are really the tip of the iceberg.  So please check out the entire PDF of all the images I received by heading over to the "Free Exhibit Resources" section of my website.

Also, if you have some other really good examples of donor recognition installations or devices, feel free to contact me and email them along, and I can share them in future ExhibiTricks posts.



Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

P.S. If you receive ExhibiTricks via email (or Facebook or LinkedIn) you will need to click HERE to go to the main ExhibiTricks page to make comments or view multimedia features (like videos!)

FREE Green Exhibit Design Article

If you'd like to download a free PDF of my recent Green Exhibit Design article, just click over to the POW! website.

The article is jam-packed with resources and techniques to help you expand your green exhibit design toolkit.

Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Free Updates" link on the right side of the blog.

P.S. If you receive ExhibiTricks via email you will need to click HERE to go to the main ExhibiTricks page to make comments or view multimedia features (like movies!)

Fun Museum Resource: Food Safety Music Videos

Dr. Carl Winter is the Director of the FoodSafe Program and an Extension Food Toxicologist in the Department of Food Science and Technology at the University of California at Davis. He has assembled a hilarious set of animated music videos about food safety (and lots of other great information) on his Food Safety Music website.

Dr. Winter's videos can also be seen on YouTube.

Good stuff for health-related exhibits or programs in museums!Publish Post

Exhibit Design: Museum SketchUp Group?

Lucky me! I got invited to attend SketchUp Basecamp coming up in June at Google's Headquarters (aka, The GooglePlex) in Silicon Valley. (If you're not already familiar with SketchUp, check out this previous posting.)

I mention SketchUp Basecamp, not to regale you with my upcoming travel schedule, but rather to solicit interest in a Museum/Exhibits related SketchUp group. Do you use SketchUp? Would you be willing to share and trade ideas, and SketchUp renderings in one handy accessible spot? If there is enough interest, I'd love to set up a Google SketchUp group for Museum and Exhibits folks. Leave your contact info in the Comments Section below, or send me an email to indicate your interest.

UPDATE: A Museum and Exhibits SketchUp Group has been created! Get more info by clicking here. Also check out the Museum and Exhibits Collection in the Google 3D Warehouse as well.

If you're new to the ExhibiTricks blog, subscribe via email or your favorite news reader with the tools on the right side of the postings!

FREE Exhibit Resources

With a recent redesign of the POW! website, I wanted to make folks aware of a new batch of FREE exhibit resources on the site.

Need some exhibit ideas? Trying to find the perfect vendor for fake food or UV lights? Do you want to add to your professional resource library by downloading some articles about topics like Prototyping? You'll find all these and more at the Free Exhibit Resources section of the POW! Website.

If there are additional resources you'd like to see, let us know in the Comments Section below.

If you're new to the ExhibiTricks blog, subscribe via email or your favorite news reader with the tools on the right side of the postings!

Windbelts: Great Energy Exhibit Idea!

Shawn Frayne, a 28-year-old inventor based in California, got the idea for his innovative "Windbelt" technology while thinking about the way wind and vibrations caused the infamous Tacoma Narrows Bridge collapse. (See YouTube video at the end of this post.)

While working in Haiti, Shawn saw the need first-hand for an inexpensive way to generate electricity. Unfortunately, wind turbines were not very efficient when scaled down, had inherent safety issues for anything that got caught in the spinning blades, and all the copper wire required to create most types of turbines was expensive.

Shawn then came up with the elegant Windbelt approach and formed a start-up company called Humdinger Wind Energy, LLC.

Here's a simple set of instructions to make your own Windbelt-related project from Instructables.com that would be a great part of an Energy or Green Materials exhibition!

Exhibit Maker's Toolkit: Skitch

Skitch is a great Mac-based tool for simple image grabbing and manipulation. Perfect for sticking annotated images (like the one above of my daughter during a recent museum visit!) into emails, reports, webpages, etc.

Skitch was developed by the fine folks at Plasq (check out their tool Comic Life also) and it can be downloaded via the Skitch website. They have a great intro video that you can watch to get a sense of what Skitch can do.

Have fun!

WD-40, The Museum Exhibit Developer's Friend!

Of course you know about WD-40, but have you really unlocked all it's potential as an exhibit problem solver?

One of my favorite unexpected uses of WD-40 from my Children's Museum days was to use it to easily remove crayon marks from exhibit gallery walls!

Well, the fine folks who make WD-40 have created the "Offical List of 2000+ Uses" for WD-40. Check out their webpage or handy downloadable PDF.

The WD-40 website lists all sorts of fun information for exhibit-minded folks including the reason why the stuff is called WD-40 in the first place!

Chart Chooser: Graphs for Creative Types

Often creative types aren't very adept at utilizing tools like Excel.

Never fear! The folks at Juice Analytics have released a brilliant tool called "Chart Chooser".

Basically, Chart Chooser lets you pick types of filters such as "Comparison" and/or "Trend" for the data you'd like to graphically illustrate.

Then, you are offered choices of elegant, colorful Excel or PowerPoint templates you can download and manipulate to your heart's content.

Excellent for exhibit labels or infographics as well as when you have to present a report!

SketchUp for Exhibits

If you don't already know about SketchUp, the free** tool from Google, temporarily stop reading this post and point your browser to the SketchUp site to download your favorite flavor.

(Once you start using SketchUp, their blog is well worth checking out as well.)

I know a fellow exhibit developer that calls SketchUp "AutoCAD for Dummies." While SketchUp may have a much more straightforward learning curve than other 3D programs, the results are beautiful and professional even for a clod like me. (The drawing above is a simple SketchUp rendering that I created for a museum project.) So download SketchUp and give it a whirl!

I'd be interested in setting up a network for sharing SketchUp models and projects related to exhibits and museums. Is anyone else interested?

**Once Google bought the original SketchUp company they started offering a free "basic" version, and charging for the "pro" version (although non-profits, like museums, can get the pro version at a reduced rate.)

Wellcome Images

The Wellcome Trust in the UK has created a website of medical and medically-related images under a
Creative Commons license (such as the chick embryo image shown here.)

Great stuff for exhibit developers and designers!

The RFP Issue of NAME's Exhibitionist

I'm the Guest Editor of the most recent issue of The Exhibitionist
(The National Association for Museum Exhibition's twice-yearly professional journal.)

The theme of the issue is RFPs (Request For Proposals.) How did I end up guest editing an issue of The Exhibitionist about RFPs?!?! I can’t stand most of the paperwork associated with the exhibits process – a lot of it seems devised by lawyers and bean counters to thwart creativity and excellent end products, not encourage them.

However, one thing that motivates me even more than my distaste for paperwork is the need to finish a project once it gets started. From the very start of the four years I served on NAME’s board, I kept hearing about a mysterious, unfinished document called “The RFP Cookbook.” I came to understand that over nearly 10 years some of NAME’s, and the museum field’s, most thoughtful and creative practitioners had been writing, re-writing, and trying to assemble this definitive tome regarding RFPs.

Well, for various reasons, The RFP Cookbook never seemed to be able to get off the ground, and frankly, after hearing about it for four years, I wanted to help pull the project together or drive a stake through its heart. After my fellow board members took the sharpened stick out of my hands, I became a somewhat reluctant, at least initially, editor of this collection of practical articles about the many facets of the RFP process.

I found during the editing, and reading and re-reading of the articles, that the RFP process can help focus fuzzy ideas and create excellent collaborative teams. However, like many other steps along the exhibition path, the RFP process can be handled poorly or adroitly. Often having complete information and being able to benefit from the experiences of peers makes the difference. 

Even if you aren't already a member of NAME (hint, hint) check out the downloadable examples. You never know when YOU might be called upon to put together an RFP!