Exhibit Design Toolbox: More Tape!

Perhaps this posting should be called, "Son of The Sticky Subject of Tape" in honor of our prior posting concerning specialty tapes that exhibit designers should know about.

Claire Pillsbury from The Exploratorium was kind enough to offer some additional suggestions concerning cool, useful, and unusual types of tape, and here they are:

Vet Wrap
A "self-clinging" wrapping material that does not require tight compression.


Instant-bonding Glue Dots
Adhesive "dots" that require no drying time, are clean and easy to use, and work on a variety of materials. Glue Dots bond instantly to any surface.


Terrifically Tacky Tape
This is double-sided craft tape with red liner that is super strong. (The bond actually increases after the first 24 hours it is applied.)

This is the same kind of ultra-thin, very sticky tape as "3M 4910 VHB Tape" but TT tape comes in shorter-length rolls so it is less expensive.


EMPTY EMPTY and PACKED PACKED tape rolls from Benchmark.
Use on crates for traveling exhibitions so you don't mix 'em up!
(Benchmark sells lots of other interesting exhibit and mount-making supplies as well.)


3M Dual Lock Reclosable Fastener System
Clear self-mating reclosable fastener with clear acrylic adhesive on the back. This is the "mushroom" topped style, rather than hook and loop, so it fastens to itself and doesn't collect fuzz like the "hook" half of velcro.


Colored Plastic Vinyl Floor Marking Tape
Great for outlining areas on floors or walls. These tapes are highly adhesive and resistant to water, oil, fungus and chemicals, have a semi-gloss finish, and can be written on with permanent markers.


1/4"-wide Colored Plastic Vinyl Tape
Also from Identi-Tape, these 6-mil vinyl adhesive tapes are available in a 14 colors plus clear in 36-yard long rolls. These tapes are ideal for constructing lines and tables on dry erase boards, identification of small tools, decorative striping, etc.


A tip of our taped-up topper to Claire for her sticky suggestions!

Did we miss any of your favorite sticky supplies? Let us know in the "Comments Section" below!

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Before You Start A Museum, Read This.

We've written previously about the closing of COSI Toledo (here and here) and the issue of sustaining a museum once it opens.

I'm happy to report that on the third try, the voters of Lucas County have passed a 5 year tax levy to provide support (read cold hard cash) to COSI Toledo.

This gives the fine folks at COSI Toledo (that's the current name, but it sounds like that might change soon, as they distance themselves from COSI Columbus) a little breathing room to restart and continue building ties to the local businesses and schools.

However, this tax levy brings up a dirty little secret about museums: they don't, or can't, generally support themselves on earned income --- museums need constant infusions of cash (via endowments, tax levies, generous donors, government grants, or winning lottery tickets.)

Well, o.k., the lottery tickets are a slight exageration, but really the odds of starting a museum that continues to grow, expand, and thrive (as opposed to constantly struggling and becoming shabby) strictly on earned revenue, are high odds indeed.

That's the part of the story that never comes up when the feasibility documents with the rosy budget and attendance figures are passed around. That doesn't mean that new museums shouldn't get created, but you better make sure your source(s) of outside cash are firmly in place.

What do you think? Should anyone try to start (or restart!) a new museum in today's economic climate? Let us know in the "Comments Section" below.

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Museum Exhibit Design: The "New" Detroit Institute of Arts

As a followup to my recent posting about interactive experiences (or lack thereof) in art museums, I thought I'd share two different points of view about the "reinvention" of The Detroit Institute of Arts (or the DIA as it's known to locals.) For context, the DIA has reopened last year after completely reconfiguring its galleries and its institutional approach toward the visitor experience.

The first (immediately below) is a report from the radio show Studio 360 that details an interactive "virtual dining" experience that serves to highlight some of the DIA's decorative arts collection.


Personally, as someone who was born and raised in Detroit --- I count the DIA as one of my favorite museums --- I can't wait to get back to Detroit to see the "new" DIA. The dining interactive sounds like a wonderful way to engage visitors in a difficult, but interesting, area of the collection.

Clearly not everyone feels the same way. Enter art historian Christina Hill, who wrote this opinion piece for one of Detroit's alternative newspapers, The Metro Times.

Ms. Hill comes off as a bit of an art snob, in my opinion. As an art historian she may well have the education and experience to take away "volumes" of information from every encounter with a work of art, but I doubt that every visitor (or potential visitor) to an art museum has the same capacity. I'm at a loss to see the downside of thoughtfully integrated interactives in an art museum.

What do you think? Should art museums remain purely temples to art? Are interactives in an art museum condescending to the primary audince? Are interactives just a "cheap trick" or do they "dumb down" the primary experience? Add your own thoughts in the "Comments" section below.

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Exhibit Aphorisms Deck Contest Winners

We have our two winners of the Exhibit Aphorisms Deck Contest:

• Sona wins the first deck for her quote: "The display should catch the eye, the content should catch the mind."

• And randomly selected from the new ExhibiTricks email subscribers, Tim C. takes home the other deck.

Congratulations to both Tim and Sona, and thanks to everyone who entered a quote and/or subscribed during the contest.

Because of the positive response, we'll be having another ExhibiTricks contest with exhibit-related prizes coming up soon, so stay tuned!

MagPie Time

A new show called MagPie Time is coming out to show kids (and their adult friends) how to make crafty projects using recycled and reused materials. Their plan is to show step-by-step instructions for every project featured. MagPie Time will be a great resource for museum folks looking for project ideas.

MagPie Time looks like a cross between Pee Wee's Playhouse and MAKE magazine. In fact, some of MagPie's team were involved with the original Pee Wee show. Check out the talking ball of yarn!

For more info, click to view the MagPie Time website as well as the teaser video above.

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Green Design Resource: Earth911.com

One aspect of the emphasis on "green design" that is often overlooked is how to properly recycle scrap or waste exhibit materials that cannot be reused.

For example, many museums are switching to more energy-efficient lighting like Compact Fluorscent Lights (CFLs). However, even CFLs burn out eventually, and each bulb contains a small amount of mercury, so CFLs shouldn't just be pitched into the dumpster.

Similarly, even the empty cans from low VOC (Volatile Organic Componds) finishes need to be properly recycled.

The problem is that it's not easy to know where to properly recycle every type of product or container.

That's where a site like Earth911.com comes in! Besides being packed with lots of great tips about living and working greener, there is a handy form at the top of the homepage that lets you enter the type of stuff you'd like to recycle and your location to find the nearest recycling facility that accepts your particular leftover materials or scrap.

(By the way, most Home Depot locations now accept used CFLs for recycling, even if you didn't buy them there originally.)

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