Showing posts with label bogus museum speak. Show all posts
Showing posts with label bogus museum speak. Show all posts

Friday, August 10, 2018

Where's The Chairs?

Sit down before you read this. If you're at home, or even reading this on your iPhone, there's probably a seat nearby.

Unfortunately, if you're visiting a museum or gallery, finding a place to sit and/or rest might be a lot more difficult. Art museums, perhaps because of their deliberately "contemplative" nature (or the advanced age of many of their patrons) do a much better job of providing seating in gallery spaces than other types of museums.

Paradoxically, the types of museums that we often think of as the most interactive, Children's Museums and Science Museums, often have the least seating available inside their exhibition spaces. One reason often given for the lack of seating is that "we want parents to play with their kids, not sit down!"

This is the sort of bogus, passive/aggressive, museum-speak that really infuriates me. You can't "force" someone to engage with their children by taking away all the seats like a twisted game of musical chairs. An ideal museum visit will have a rhythm of activity --- sometimes quiet and contemplative, sometimes more mentally and/or physically active --- and museum designers should encourage, but not "force" people to engage in exhibit experiences in these different ways. Also, if you believe that eliminating seating options is going to coerce adult caregivers into stopping their young charges from racing around your museum or tearing up your exhibits, I've got a bridge in Brooklyn to sell you!

Leaving all that aside, what are some of the parameters to consider when selecting seating for any type of exhibition gallery? Personally, I think sturdy, movable seats, like stools or benches, are your best bet. Flexible seating arrangements let visitors shift things around a little, and you might even learn a little bit about how visitors are using (or not using) your exhibits by watching how the seats get rearranged.

Here are a few suggestions regarding seating options for museums:

On the low(er) end of the budget spectrum, IKEA (as I've mentioned in a previous post) provides simple, durable seating options. (Like the "Kritter" bench pictured above.)

If you have more money to spend, I really like the Alvar Aalto stools and benches. Clean design, and stackable. (If you get the stools, choose the more stable 4-legged option for museum use.)

Other good options for purchasing simple, durable seating are from Library furniture suppliers like Gaylord or Highland Park.

So, please consider your visitors, and think of ways to provide seating in your museum's exhibition spaces. (I'll sit down and be quiet now.)



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Saturday, June 27, 2009

Electronic RFPs, Please.


I recently completed an RFP that requested six paper copies in addition to a digital version of the proposal. Why not just skip the multiple paper copies and eliminate the rigamarole involved with collating and FedExing and just accept electronically submitted PDFs?

It seems to me there are only two arguments against this modest proposal:

1) "Making people go through the process of preparing multiple paper copies of PDFs shows that they are serious about submitting." The previous statement is actually a paraphrase from a museum person, made when I suggested that electronic/PDF responses be allowed. I don't think I could summarize how mindless much of the PDF process is better than that.

2) PDFs of finished submissions with graphics and images will be too large to easily send electronically. Well that's a bogus excuse, and here's why: YouSendIt.

YouSendIt is a service that lets you easily transmit large files (up to 100 MB, using the free version) without any FTP hassles or email bouncebacks.

Even though a standard of Electronic RFPs might not happen anytime soon, you can put YouSendIt to good use in your own workstream today.

Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Free Updates" link on the right side of the blog.

P.S. If you receive ExhibiTricks via email you will need to click HERE to go to the main ExhibiTricks page to make comments or view multimedia features (like movies!)

Monday, March 16, 2009

The World's Best Museum?

"We want to build the world's best science museum."

That's what the leader of a group of board members from an emerging museum said to me several months ago during our first lunch meeting.

My immediate reaction was to start laughing. But because: a) I wasn't raised by wolves, and b) my consulting business supports my wife, and our four kids, I instead nodded, and asked, "Well, what do you mean by best?"

Silence.

Silence and blank stares. It was like being in a meeting with an oil painting.

Finally, one of the board members cautiously said, "We'd like to have all the newest high-tech exhibits, but we want ours to be unique." Another said, "We think we should have an IMAX theater. But we'd like ours to be the biggest, so we could have a good PR angle to drum up more funding support."

I tried to redirect the conversation to get the board members to discuss WHY they wanted to start a science museum in the first place, to try to uncover and understand their passions about their soon-to-be (hopefully!) museum, but we just kept circling back to making the "world's best" museum --- and worse, the terms "best" and "biggest" now started getting used interchangeably.

What about starting a small demonstration site to get things started? No, not "sexy" enough. They "needed" to start BIG.

What about learning to build up internal capacity, so that staff and resources could be allocated to be able to create things locally, both internally, and collaboratively, with folks from local communities?

A new round of blank stares.

I could see this was going to end in tears, so I gently suggested that their project might not yet be at the stage where I could help them. This group seemed destined to be spinning this project around for years without it going anywhere.

I thanked them for the (soggy) sandwich, and drove off into the sunset.

Even though as a consultant, my brain is usually for rent, here are a few lessons I took away from this experience that I'm happy to share:

• You can't claim the title of "world's best" for yourself before you even start something (or even after you start something, for that matter.) It makes you seem arrogant and/or clueless.

When your visitors start telling all their friends to go to your museum, and better yet, start referring to the place as "their" museum, you will have started down the road to success.

• Start small, and build thoughtfully from there. It's o.k. to stay small in order to maintain quality.

• Focus on building internal capacity by investing in staff, training, and tools appropriate for your situation. Paradoxically, I like to teach museums and their staff how to "fish" (metaphorically speaking) rather than having them always feeling like they need to buy "fish" from folks outside of their organization.

Starting a museum is tough, but making sure your museum continues to improve and evolve after it opens, is even tougher. Good Luck! (and if you need help with a museum project that you would like to grow into being one of the "best" , let me know.)

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Wednesday, January 28, 2009

Museum Design: Where's The Chairs?

Sit down before you read this. If you're at home, or even reading this on your iPhone, there's probably a seat nearby.

Unfortunately, if you're visiting a museum exhibition gallery, finding a place to sit and/or rest might be a lot more difficult. Art museums, perhaps because of their deliberately "contemplative" nature (or the advanced age of many of their patrons) do a much better job of providing seating in gallery spaces than other types of museums.

As I'm preparing a talk for the upcoming Association of Children's Museums conference for "emerging" museums, my mind has turned to chairs and seating, or the lack thereof, in all sorts of museums.

Paradoxically, the types of museums that we often think of as the most interactive, Children's Museums and Science Museums, often have the least seating available inside their exhibition spaces. One reason often given for the lack of seating is that "we want parents to play with their kids, not sit down!"

This is the sort of bogus, passive/aggressive, museum speak that really infuriates me. You can't "force" someone to engage with their children by taking away all the seats like a twisted game of musical chairs. An ideal museum visit will have a rhythm of activity --- sometimes quiet and contemplative, sometimes more mentally and/or physically active --- and museum designers should encourage, but not "force" people to engage in exhibit experiences in these different ways. Also, if you believe that eliminating seating options is going to coerce adult caregivers into stopping their young charges from racing around your museum or tearing up your exhibits, I've got a bridge in Brooklyn to sell you!

Leaving all that aside, what are some of the parameters to consider when selecting seating for any type of exhibition gallery? Personally, I think sturdy, movable seats, like stools or benches are your best bet. Flexible seating arrangements let visitors shift things around a little, and you might even learn a little bit about how visitors are using (or not using) your exhibits by watching how the seats get rearranged.

Here are a few suggestions regarding seating options for museums:

On the low end of the budget spectrum, IKEA (as I've mentioned in a previous post) provides simple, durable seating options. (Like the "Kritter" bench pictured above.)

If you have more money to spend, I really like the Alvar Aalto stools and benches. Clean design, and stackable. (If you get the stools, choose the more stable 4-legged option for museum use.)

Other good options for purchasing simple, durable seating are from Library furniture suppliers like Gaylord or Highland Park.

So, please consider your visitors, and think of ways to provide seating in your museum's exhibition spaces. (I'll sit down and be quiet now.)

UPDATE: Jonathan Katz from CINNABAR was kind enough to pass along this image of a "worm-bench" from the "Early Explorer's Cove" early childhood exhibition space in the Kimball Natural History Museum section of the new California Academy of Sciences project.


If you have images of interesting museum seating, feel free to pass them along! (Maybe we'll do a future "Son of Museum Seating" posting.)

Don't miss out on any ExhibiTricks posts! It's easy to subscribe right now via email or your favorite news reader. Just click the "subscribe" link on the right side of the blog.