Learning About Creative Partners in Bulgaria!

I've just returned from Pleven, a city in northern Bulgaria, where I helped lead a week-long series of professional development workshops (called MUSE Academy) for Bulgarian colleagues working in museums and allied cultural organizations across the country.

One of the things I've been thinking about after this most recent trip to Bulgaria is how to recognize the four qualities that make great Creative Partners.

For me, the best Creative Partners are the ones that 1) Have Fun; 2) Think Big;  3) Work Flexibly; and 4) Get Stuff Done.  Below are some of the ways that the MUSE Academy fostered Creative Partners, and the four qualities below are important indicators to keep in mind when working with partners on any creative and challenging project.

1) Have Fun

My memories of working with my two MUSE Academy co-instructors, Christina Ferwerda and Jamie Lawyer, are filled with laughter.  We all really believe in working hard during our trips to Bulgaria, with extensive planning ahead of time. And yet, our work is enjoyable because we have fun together.

2) Think Big 

Our creative partners at the America for Bulgaria Foundation sponsor the MUSE Academy, and we are so lucky to have Nadia Zaharieva and Yuliana Decheva as the point people from the Foundation driving everything forward.  Nadia and Yuliana push us to "think bigger" and to create more opportunities for the MUSE Academy participants, in turn building even greater capacity in the Bulgarian museum and cultural sectors.

3) Work Flexibly

Unexpected events occur in every project I've worked on. Our time in Pleven was no exception, as a few "Bulgarian surprises" came up during our week there. Despite this, I was sure that my Creative Partners would be flexible and figure out ways to overcome any challenges rather than complaining or pointing fingers.

4) Get Stuff Done 

Можело is a Bulgarian word meaning roughly, "This can be done!"  We strive for a spirit of Можело during our week together with MUSE Academy participants -- to push against the notion of "This is not possible" and to accomplish a lot together and challenge ourselves creatively.

Here's hoping you can find wonderful Creative Partners that meet all four of these criteria when you put together your next project!

Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

Paul Orselli writes the posts on ExhibiTricks. Paul likes to combine interesting people, ideas, and materials to make exhibits (and entire museums!) with his company POW! (Paul Orselli Workshop, Inc.) Let's work on a project together!

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Four Qualities of Great Creative Partners

I've just returned from Blagoevgrad, a large city in Bulgaria, where I helped lead a week-long series of professional development workshops (called MUSE Academy) for Bulgarian colleagues working in museums and allied cultural organizations from across the country.

One of the things I've been thinking about after this most recent trip to Bulgaria is how to recognize the four qualities that make for great Creative Partners.

For me, the best Creative Partners are the ones that 1) Have Fun; 2) Think Big;  3) Work Flexibly; and 4) Get Stuff Done.  Below are some of the ways that the MUSE Academy fostered Creative Partners, and the four qualities below are important indicators to keep in mind when working with partners on any creative and challenging project.

1) Have Fun

My memories of working with my two MUSE Academy co-instructors, Christina Ferwerda and Jamie Lawyer, are filled with laughter.  We all really believe in working hard during our trips to Bulgaria, with extensive planning ahead of time. And yet, our work is enjoyable because we have fun together.

2) Think Big 

Our creative partners at the America for Bulgaria Foundation sponsor the MUSE Academy, and we are so lucky to have Nadia Zaharieva and Yuliana Decheva as the point people from the Foundation driving everything forward.  Nadia and Yuliana push for us to "think bigger" and to create more opportunities for the MUSE Academy participants and, in turn, build even greater capacity in the Bulgarian museum and cultural sectors.

3) Work Flexibly

In every project I've ever worked on, unexpected events occur. Our time in Blagoevgrad was no exception, as a few "Bulgarian surprises" came up during our week there. Despite this, I was sure that my Creative Partners would be flexible and figure out ways to overcome any challenges rather than complaining or pointing fingers.

4) Get Stuff Done 

Можело is a Bulgarian word meaning roughly, "This can be done!"  We strive for a spirit of Можело during our week together with MUSE Academy participants -- to push against the notion of "This is not possible" and to accomplish a lot together and challenge ourselves creatively.

Here's hoping you can find wonderful Creative Partners that meet all four of these criteria when you put together your next project!

Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

Paul Orselli writes the posts on ExhibiTricks. Paul likes to combine interesting people, ideas, and materials to make exhibits (and entire museums!) with his company POW! (Paul Orselli Workshop, Inc.) Let's work on a project together!

If you enjoy the blog, you can help keep it free to read and free from ads by supporting ExhibiTricks through our PayPal "Tip Jar"

"Mind" Your Business

There are creative partners who are willing to change their minds, and there are creative partners who can seemingly never make up their minds.

Folks who are willing to change their minds are often willing to try something new or untested. These projects usually end up in interesting and unexpected places.

People who can never make up their minds are willing to spend hours discussing laminate colors or which fonts to use, but will likely want to change their minds again after the "final" deadline has passed. These projects often end in tears.

What was the "mindset" of your last project?

Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

Paul Orselli writes the posts on ExhibiTricks. Paul likes to combine interesting people, ideas, and materials to make exhibits (and entire museums!) with his company POW! (Paul Orselli Workshop, Inc.) Let's work on a project together!

If you enjoy the blog, you can help keep it free to read and free from ads by supporting ExhibiTricks through our PayPal "Tip Jar"

5 Questions To Ask A Potential Creative Partner

The New Year often brings the promise of exciting new projects. 

What questions can you ask to help get a sense of whether someone you've never worked with before might become a good (or great!) creative partner for your next museum/exhibit/design project?  


1) How do you prototype exhibits?
Every aspect of an exhibition, including labels, can be tested out with visitors before the “final” version is produced. This does not have to be a horribly expensive or time-consuming process. As a matter of fact, masking tape, markers, and cardboard can go a long way in creating simple prototypes.

Avoid anyone who says things along the lines of: “We test out everything in the shop...” or “ We don’t need to prototype, because our stuff never breaks.” You need to turn real visitors loose on exhibit prototypes to avoid the dreaded “I never thought they would do that with our exhibit!”

You can find a free downloadable article on exhibit prototyping on the POW! Website.


2) What’s your favorite exhibit?
If the response to this question is either a blank stare or a glib sales pitch --- RUN! Ideally, your potential creative partner can report on why specific aspects of an exhibit component or entire exhibition interested them or moved them in some way.

For example, I loved a large scale interactive component based on one of the scenes from a children’s book by William Steig. There were magnet-backed creatures and plants that multiple visitors could move around in a room-sized jungle scene. This was part of a larger exhibition of Steig’s drawings in a normally “hands-off” museum, The Jewish Museum in Manhattan. It was clear through this area, and a few other places in the Steig exhibition, that the designers wanted to provide some colorful, open-ended experiences for families.


3) Will you let us directly pay subcontractors?
Money changes everything, doesn’t it? The financial aspects of your exhibit process should be as transparent as possible. The best designers allow you to see “the books” so you can be assured that the maximum amount possible of your project resources are being spent on items that will show up in your exhibit galleries.

Beware of too many miscellaneous fees or excessive charges for things. It is reasonable for any designer to cover their overhead charges, but it is just as reasonable for you to ask to contract directly with specialists serving as subcontractors to avoid excessive “markups”.


4) Have you ever worked in a museum?
While this is not a complete deal-breaker, a design solution from someone who has actually had to fix an exhibit after 600 grade-schoolers have pummeled it carries a lot more weight with me than a beautiful computer rendering from a recent design school grad.

Don’t be afraid to ask practical questions like, “How will this work with large school groups?” or “Will this computer interactive automatically reboot if it freezes up?”


5) Who are some of your repeat customers?
At the end of every crazy exhibit project and installation, after everyone has had a few days to obtain the requisite amounts of food, sleep (and showers!) you ask yourself an important question: Would I ever work with (fill in the blank) again?

The people who you continue to work with, and who continue to work with you, speaks volumes about your work ethic and the ability to get the job done. The mark of a great museum exhibit designer is how they overcome unexpected challenges related to timing or finances or the other hundred things that could cause a project to become unhinged.


What are some of the questions you ask potential creative partners? Let us know in the "Comments" Section below!

Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

Paul Orselli writes the posts on ExhibiTricks. Paul is a GREAT creative partner who likes to combine interesting people, ideas, and materials to make exhibits (and entire museums!) with his company POW! (Paul Orselli Workshop, Inc.) Let's work on a project together!

If you enjoy the blog, you can help keep it free to read and free from ads by supporting ExhibiTricks through our PayPal "Tip Jar"