Showing posts with label Internal Capacity. Show all posts
Showing posts with label Internal Capacity. Show all posts

Friday, August 29, 2025

The Secret Sauce of High-Quality Museums: Internal Capacity


Here's something I've learned after years in the trenches of exhibit design and development: all truly high-quality museums share one critical characteristic. It's not their flashy architecture, their famous collections, or even their generous budgets. It's something far more fundamental.

High-quality museums have strong internal capacity.

Now, I'm not saying these museums create everything internally—that would be impossible and frankly, unwise. But they can handle many things in-house, and more importantly, they know exactly what those things are. Great museums understand their strengths and double down on them. They also know their weaknesses and where to find the right help.

High Quality = Internal Capacity

The Long Game
Developing genuine museum quality means thinking beyond your opening day celebration. You need a crystal-clear vision of what your institution will look like two, three, or more years down the road—not just two months after you cut the ribbon.

This requires investing in thoughtful experiences, dedicated staff, and deep expertise for the long haul. As Jane Werner wisely puts it: "Invest in staff, not stuff!"


The Two Questions That Matter
In my practice, I often pose two straightforward questions to museum partners:

1) How will you (the staff inside your museum, not contractors or consultants) fix things that break or don't work?

2) How will you transform great new ideas into real exhibits and programs?

If you can't provide credible answers to both questions, you're setting yourself up for trouble. You'll spend your days frantically putting out fires—dealing with problems that could have been anticipated, on top of all the truly unexpected challenges that will inevitably arise.

Even worse? Your bright, shiny museum will inevitably become dingy and boring. And I don't just mean physically—I'm talking about its intellectual and emotional spirit too.


Culture Beats Everything
Creating a robust institutional culture of internal capacity is the defining difference between a great museum and a mediocre one. But here's a crucial point: building strong internal capacity doesn't mean working in isolation.

Quite the opposite, actually.

When you truly understand your institution's strengths and weaknesses, you gain clarity about when and where to invest your precious time and resources. Those investments might involve tapping into local community expertise, sending staff to conferences, pursuing professional development opportunities, or yes—sometimes bringing in consultants to help build internal capacity in areas where you need it most.

You have many choices.

What's not a choice is doing nothing.

Because doing nothing will surely begin the slide from "high quality" to "who cares?" And honestly, is that the kind of museum you want to be part of?



Sunday, May 4, 2025

10 No-Cost (or Low-Cost) Ideas to Spark Change in Your Museum



Even when budgets are tight, museums can find creative ways to do more with less. 

In my consulting practice working with museums of all sizes, I’ve seen firsthand how small, creative changes can lead to BIG results.

Here are ten practical, budget-friendly ideas you can try today!


1. Repurpose Forgotten Spaces

Look for underused nooks, corners, or even hallways. These spaces can become micro-exhibit areas, quiet zones, selfie stations, or activity prompts.

Big Impact: New visitor experiences without new construction.





2. Collaborate with Local Artists or Students

Reach out to local schools, art centers, or makerspaces. Invite them to co-create a temporary exhibit or hands-on activity using materials they provide.

Big Impact: Builds community partnerships and fresh content.





3. Host “BYO” (Bring Your Own) Exhibit Nights

Invite visitors to bring objects related to a theme (e.g., toys, tools, family heirlooms) and share stories. Display items for a weekend pop-up exhibit.

Big Impact: Personal engagement and shared ownership of content.



4. Turn Staff Brainstorms into Public Tools

That whiteboard full of staff ideas? Turn it into a visitor feedback wall. Ask guests to vote, add to your questions, or share their ideas.

Big Impact: Deepens transparency and encourages co-creation.





5. Use Surveys to Crowdsource Ideas

Send a short visitor or member survey asking: “What would you love to see next?” Use responses to shape programs or themes.

Big Impact: Immediate relevance and increased audience investment.



6. Theme a Week with Minimal Materials

Pick a theme like “Time Travel,” “Nature in the City,” or “Color Explosion.” 
Decorate with paper, reuse existing props, and tweak one program to match.

Big Impact: High energy without high spending.




7. Create a Volunteer-Led Micro-Tour

Train a volunteer to lead a 10-minute “favorites” tour or storytelling session. 

Big Impact: More interaction, less staff time.



8. Share “Behind the Scenes” Content

Use your phone to shoot short clips: collections work, exhibit prep, staff stories. Post weekly on social media.

Big Impact: Authentic connection and free PR.




9. Revisit Past Exhibits with a Twist

Reuse elements from past exhibits, but reinterpret them through a new lens or visitor question.

Big Impact: Saves money while creating something “new.”



10. Offer Staff-Led “Pop-Up” Programs

Let staff create a surprise visitor activity—craft, challenge, trivia, etc. Keep it low-stakes and spontaneous.

Big Impact: Visitors love the surprise; staff feel empowered.





Want More Ideas?

I specialize in helping museums build internal capacity and generate fresh ideas, especially when resources are limited. 

Check out the FREE Resources Section of the POW! website.

Then contact me to learn how we can work together to spark change in your museum!




Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

Paul Orselli writes the posts on ExhibiTricks. Paul likes to combine interesting people, ideas, and materials to make exhibits (and entire museums!) with his company POW! (Paul Orselli Workshop, Inc.) Let's work on a project together!

If you enjoy the blog, you can help keep it free to read and free from ads by supporting ExhibiTricks through our PayPal "Tip Jar"

Thursday, August 22, 2024

High Quality = Internal Capacity


I'd say that all "high-quality" museums have a strong capacity to create programs and exhibits internally—not necessarily everything, but many things. High-quality museums know their strengths and build upon them. Great museums also know their weaknesses and where to look for help in those areas.  

Put simply:

High Quality = Internal Capacity 

As a practical matter, developing a genuinely high-quality museum experience means having a clear sense of what you want your museum to look like two, three, or more years in the future—not just two months after opening! That means investing in thoughtful experiences, staff, and expertise for the long term. ("Invest in staff, not stuff!" as Jane Werner might say.)

In my exhibit design and development practice, I often ask museum collaborators two simple questions: How will you (the staff inside your museum, not contractors or consultants) 1) fix things that break or don’t work? and 2) transform great new ideas into real exhibits and programs? If you can’t come up with credible answers to both questions, I’m afraid that not only will you be constantly racing to “put out fires” in the form of problems that could have been anticipated (as opposed to the many un-anticipated ones you’ll encounter) but your bright, shiny museum will soon become dingy and boring, not only physically, but in its intellectual and emotional spirit as well.

Creating a strong institutional culture of internal capacity is the key difference between a great museum and a mediocre one. Building and investing in strong institutional capacity doesn’t mean that you work in isolation.  On the contrary, carefully understanding the strengths and weaknesses across your institution makes it clear when and where you need to invest time and resources. 

Those investments in time and/or resources can involve seeking out expertise in your local communities, sending staff to national or regional conferences or local professional development opportunities, or (gasp!) bringing in consultants to help build up internal capacity in other areas of institutional need. There are many choices.

What is not a choice is doing nothing. Because doing nothing will surely begin the slide from “high quality” to “who cares?” And is that the kind of museum you want to be part of? 



Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

Paul Orselli writes the posts on ExhibiTricks. Paul likes to combine interesting people, ideas, and materials to make exhibits (and entire museums!) with his company POW! (Paul Orselli Workshop, Inc.) Let's work on a project together!

If you enjoy the blog, you can help keep it free to read and free from ads by supporting ExhibiTricks through our PayPal "Tip Jar"

Friday, May 5, 2023

High Quality = Internal Capacity



How would you define "quality" in the context of museums?  It's a slippery term (like "World Class"which we've written about before here on ExhibiTricks.)  Every museum wants to be described as "High Quality" and "World Class" but what do those terms actually mean, and how do you know when you truly have become a high-quality organization?

“High Quality” to me means something of lasting value, something special that is meaningful over time and across generations.  And museums that can be described consistently as high quality are quite uncommon.

What does high quality mean to you, or to the museums you work in or visit?   

I'd say that all "high quality" museums have a strong capacity to create programs and exhibits internally. Not necessarily everything, but many things.  High-quality museums know their strengths and build upon them. Great museums also know what their weaknesses are, and where to look for help in those areas.  

Put simply:

High Quality = Internal Capacity 


As a practical matter, the way to develop a truly high-quality museum experience means having a clear sense of what you want your museum to look like two, three, or more years in the future—not just two months after opening! That means investing for the long term in thoughtful experiences, staff, and expertise. 

In my exhibit design and development practice, I often ask museum collaborators two simple questions: How will you (the staff inside your museum, not contractors or consultants) 1) Fix things that break or don’t work? and 2) Transform great new ideas into real exhibits and programs? If you can’t come up with credible answers to both questions, I’m afraid that not only will you be constantly racing to “put out fires” in the form of problems that could have been anticipated (as opposed to the many un-anticipated ones you’ll encounter) but your bright, shiny museum will soon become dingy and boring, not only physically, but in its intellectual and emotional spirit as well.

Creating a strong institutional culture of internal capacity is the key difference between a great museum and a mediocre one. Building and investing in strong institutional capacity doesn’t mean that you work in isolation.  On the contrary, carefully understanding the strengths and weaknesses across your institution makes it clear when and where you need to invest time and resources. Those investments in time and/or resources can involve seeking out expertise in your local communities, sending staff to national or regional conferences or local professional development opportunities, or (gasp!) bringing in consultants to help build up internal capacity in other areas of institutional need. There are many choices.

What is not a choice is doing nothing. Because doing nothing will surely begin the slide from “high quality” to “who cares?” And is that the kind of museum you want to be part of? 




Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

Paul Orselli writes the posts on ExhibiTricks. Paul likes to combine interesting people, ideas, and materials to make exhibits (and entire museums!) with his company POW! (Paul Orselli Workshop, Inc.) Let's work on a project together!

If you enjoy the blog, you can help keep it free to read and free from ads by supporting ExhibiTricks through our PayPal "Tip Jar"