Sunday, January 10, 2016

What Makes a Museum "Special" ?



I've written posts about "special trip" worthy museums before, but I'm after something a little different here.  I'd like to tease out the specific qualities of what makes a museum (or museum visit) "special".

I've been thinking a lot about why some museum visits seem special and some don't.  To me, a special museum visit feels much like a memorable restaurant experience.  Even if you've never visited before, you feel welcomed, you feel like you are in the "right" place.  Every staff person you come in contact with seems legitimately happy to be there and to interact with you. As your visit unfolds, you notice little things, attention to details, that combine to create a positive impression.

So help me ExhibiTricks readers!  What do you think are the "ingredients" for a special museum experience?  Leave your ideas in the "Comments" section below, and I'll use the submissions for a future ExhibiTricks post.

THANKS!


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Thursday, December 31, 2015

A Look Back at 2015. Happy New Year from ExhibiTricks!


As the New Year approaches, the urge to simultaneously look back at the year past, and forward to the year ahead is strong.

So who am I to resist?  I thought I'd share thoughts about the three most popular ExhibiTricks posts from 2015, as well as three upcoming topics for 2016, because I think the half-dozen subjects neatly encapsulate important ideas in the museum/exhibit/design world.

Looking Back.

The hands-down most popular ExhibiTricks post of 2015 was Hayao Miyazaki's Museum Manifesto.
I think one reason this post resonated with so many people is that the qualities of a great museum, and great museum experience, that Miyazaki outlines are hard to put together, but when these qualities come together, something truly sublime and memorable has been achieved.  A great inspirational read.

Up next was an interview to get at the story behind Beverly Serrell's second edition of her classic book, Exhibit Labels.  One thing I took away from Beverly's experiences was that even "classics" and great museums need to find the ways to keep current while still maintaining their core values.  The ultimate looking forward and looking back balancing act in our business.

The third most popular ExhibiTricks post in 2015 was a thoughtful piece by Axel Huttinger (borne out a frustrating exhibits meeting!) entitled What is Innovative Exhibition Design?  I was happy to publish Axel's thoughts because they really helped me re-consider my own exhibit design and development ideas.

I think one common thread between Axel's piece and the Serrell and Miyazaki posts is the importance of articulating and keeping track of core values.  What's really important to you and your work?  How can you best share it with visitors and include them in the creative conversation?   It's too easy to become distracted by technological gimmicks or the latest trendy buzzwords (can we please stop "hacking" everything in 2016?) in our business.



Looking Forward.

One of my museum/exhibit/design "resolutions" for 2016 is to be conscious of the "core" --- the fundamental values that can (and should!) be guiding our work.  With that in mind, there are three connected topics I'll be thinking a lot about in 2016 here on ExhibiTricks:

Inclusivity ---  I hope to give Margaret Middleton and others the opportunity to share their work in making museums and other cultural institutions more welcoming to more people.  It's no coincidence that both #museumsrespondtoferguson and #MuseumWorkersSpeak were important hubs of conversation in 2015.

The Opposite of "Neutrality"  ---  the work of groups like The Natural History Museum to push museums to consider that board members and funders (and the perception of where funding comes from) belie the notion of being "neutral" presenters of information.

Physical Participation and Creation --- lastly, folks like Rachel Hellenga have been making great strides in creating situations for visitors to physically (not just digitally) participate and create inside cultural institutions.

The core values and aspirations of museums are solid, but putting them into action in an inclusive and welcoming way takes hard work, not just rosy mission statements.   I look forward in the year ahead to being part of helping museums live their aspirations through actions, and not just words.


HAPPY NEW YEAR! 



Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

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Wednesday, December 23, 2015

Exhibitionist's Universal Design Issue --- And a Contest!



I just wanted to highlight the most recent issue of Exhibitionist, which is a theme issue related to inclusive experiences, and universal design in exhibitions.  All of the articles, and even the exhibition and book reviews, all relate to the aforementioned topics.

If you are not already a subscriber to Exhibitionist, just keep reading to find out how you can win one of four FREE print copies of the latest issue entitled, "Creating an Inclusive Experience: Exhibitions and Universal Design."

As you may already know, Exhibitionist is a "journal of reflective practice" published by the National Association for Museum Exhibition (NAME) in the Spring and Fall of each year. Exhibitionist is also one of the best, if not the best, museum-related journals available.  

Exhibitionist always features thought-provoking articles on exhibition theory and practice, exhibition critiques and commentary, book reviews, technical articles, and other essays of interest to the profession.  

I was especially taken by the range of articles about accessibility and universal design in this current issue, ranging from case studies in historical museums and aquariums to "nuts and bolts" articles about getting your staff on board to implement more inclusive practices into your institution.



AND NOW THE CONTEST!

If you are not yet a subscriber to Exhibitionist, here's your chance to win one of four free print copies of the current issue!  Simply leave a comment at the ExhibiTricks blog page OR become a subscriber to the ExhibiTricks blog (click on the info at the upper right side of the main ExhibiTricks blog page.)

I will randomly pick two commenters and two new subscribers on January 5th, 2016 and contact them to send them their copy of Exhibitionist.  It's as simple as that!

However, if you don't want to take a chance on winning a free issue in the contest, just click on over to the Exhibitionist subscription page right now!




Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

P.S. If you receive ExhibiTricks via email (or Facebook or LinkedIn) you will need to click HERE to go to the main ExhibiTricks page to make comments or view multimedia features (like videos!)

Tuesday, December 15, 2015

Creative Design Toolbox: Old Book Illustrations



Old Book Illustrations is a website that offers one thing: public domain, royalty-free images scanned from old books.

Searchable galleries include animals, plants, techniques, artists names, books titles, among other topics.

So click on over to the Old Book Illustrations website and get your graphic design groove on!



Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

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Saturday, December 5, 2015

Design Inspiration: Morphs 2.0


Ruairi Glynn is an installation artist who also directs the Interactive Architecture Lab at the Bartlett School of Architecture, University College London.  He and collaborators William Bondin and Francois Mangion have been creating adaptive structures called MORPHs, short for Mobile Reconfigurable Polyhedra. 

Imagine playgrounds where the structures are able to move or rearrange themselves!  These robotic MORPH structures can move from one place to another autonomously or they can be guided towards a specific location through tactile input from users. They can also be controlled wirelessly and onboard GPS modules can be used to define a boundary for the MORPHS to operate in. 

As you can see in the video below, individual MORPH robotic units are currently made of twelve actuated struts, which when extended will shift the center of gravity of the entire structure, leading it to roll over in a specific direction. 



This movement happens relatively slowly, providing enough reaction time for the people around it to stay clear from its path. Each MORPH also has embedded pressure sensors within the rubber joints which provide it with information about its orientation, whether it is about to encounter an obstacle, or if there is someone swinging from it or trying to push it.  

Museum and playground designers could easily take advantage of this sort of emerging technology to create spaces where the physical design elements are changable and adaptable instead of fixed in place.  I love the idea of physical environments that can respond in interesting and unexpected ways to users!

Click on these links to find out more about the MORPH project and Ruairi Glynn.

 
Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

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Wednesday, November 25, 2015

Giving Thanks and Thanksgiving



This is the time of the year in the U.S. that we celebrate Thanksgiving, a holiday meant to remind us of all the people and things in our lives that we have to be thankful for.  Despite the turmoil in the world, I do feel very thankful for my family, my work, and the friends I share my life with.

I'm also very thankful for ExhibiTricks Readers and Subscribers!  I really appreciate the thousands of you who read this blog each and every week.  If you ever have ideas or suggestions for ExhibiTricks, feel free to email me.

And now, without further ado, here is one of my favorite posts about ways of thanking our donors, community supporters, and stakeholders:

Many Ways To Say Thanks

Most donor recognition installations in museums are really ways to say thanks.  And who could argue with that?

But you can thank someone with the equivalent of a cheap mass-produced card you grabbed on your way home, or with the donor recognition version of a homemade loaf of bread accompanied by a carefully chosen book inscribed to the recipient.

Last month I asked museum folks for images of interesting and thoughtful examples of donor recognition.  I received an avalanche of images --- many more than I'll include in this post, so I've gathered all the images that I've received into a free PDF available for download from the POW! website.

Just click on the "Free Exhibit Resources" link near the center-top of any page on the website, and you'll see an entire collection of free goodies, including the newly added link called "Donor Recognition Examples."  Once you click on the link you'll get the PDF of images. (Be patient --- it's a BIG file.)

So what sorts of images and examples of donor recognition did I receive?  They fell into several larger categories, namely:

• Frames and Plaques

• Walls and Floors

• Genre Specific

• Mechanical/Interactive

• Interesting Materials

• Digital Donor Devices

So let's take each of the six categories and show a few examples of each.


FRAMES and PLAQUES

I'm sure you've seen lots of bad examples of this donor recognition approach, but there is a lot to be said for the simplicity (and creative twists!) that can be employed using this technique.

The image at the top of this post is a nice example of "helping hands" (but still essentially plaques) in this category from the Chicago Children's Museum.

I like the use of colors and the physical arrangements in the following two examples. The first pair of images comes from the Children's Museum of Pittsburgh (with bonus colored shadows!)








The next is a sert of back-lit elements designed by Skolnick A+D Partnership for the Children's Museum of Virginia --- The entire unit is essentially one big lightbox!





Light is also used as a strong element in the image below from Macalester College.  The folks from Blasted Art used Rosco's Lite Pad product to create the glowing text.





Lastly, I like this simple example from the MonDak Heritage Center.  Just frames, but it does the job nicely.






WALLS and FLOORS

Sometimes donor recognition wants to be BIG, in an architectural sense, so interior or exterior walls are used  --- and sometimes even floors!

Here are two exterior wall examples that stood out.  The first from the Creative Discovery Museum

And the second from the Oakland Museum.  They are both colorful and animate nicely what would otherwise be a big blank wall.


 Here's a nice interior wall from Discovery Gateway, in Salt Lake City


Each of the pieces is back-laminated graphics on acrylic.  (Here's a detail.)






Of course, even the best-laid donor recognition plans can get circumvented by operational issues!



And lastly, here's a floor example from The National Museum of Nuclear Science and History.  It's the Periodic Table with donors in each element.







GENRE SPECIFIC

Several people sent examples of genre specific donor recognition designs.  A popular motif is to use collection objects or images, especially in the case of Natural History Museums.

Here is the Specimen Wall from the California Academy of Sciences.  It's an elegant  low-tech solution that features specimen reproductions encased in laminated glass. The wall was conceived by Kit Hinrichs and realized in collaboration with Kate Keating Associates, with fabrication by Martinelli Environmental Graphics and glass by Ostrom Glassworks.






Here's a clever use of old school tabletop jukeboxes to recognize donors to radio station WXPN put together by Metcalfe Architecture & Design in Philadelphia.





MECHANICAL / INTERACTIVE

In the same way that interactive exhibits are fun and memorable, donor recognition can be too!

Gears are a popular motif in this regard.  The first image (Grateful Gears) is from an installation at the Kentucky Science Center, while the second is from the Madison Children's Museum.










INTERESTING MATERIALS

Sometimes the design element that gets people to stop and actually read the donor names are the unusual materials that the donor recognition piece is made of. If the materials relate to the institution itself, so much the better!


This first image comes from the San Francisco Food Bank







The next is from the Museum Center at 5ive Points, in Cleveland Tennessee which has a strong history of copper mining.  So this intricate donor recognition piece is made from copper!






I love this clever use of miniature doors and windows at the Kohl Children's Museum.  You can open doors and windows to reveal additional information about donors.






The last entry from this section is the truly striking three-dimensional "Donor Tree" from the Eureka Children's Museum in the UK.





DIGITAL DONOR DEVICES

As with all museum installations, digital technology plays an increasing role --- even in Donor Devices.

One unit that stood out was this digital donor recognition device at the National  Historic Trails Center that solicits donations in real-time and puts up digital "rocks" on the rock wall screen of different sizes --- depending on the size of your donation, of course!  A really neat idea that beats a dusty old donation box,  hands down.




As I mentioned earlier, these images are really the tip of the iceberg.  So please check out the entire PDF of all the images I received by heading over to the "Free Exhibit Resources" section of my website.

Also, if you have some other really good examples of donor recognition installations or devices, feel free to contact me and email them along, and I can share them in future ExhibiTricks posts.



Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

P.S. If you receive ExhibiTricks via email (or Facebook or LinkedIn) you will need to click HERE to go to the main ExhibiTricks page to make comments or view multimedia features (like videos!)