Friday, August 29, 2025

The Secret Sauce of High-Quality Museums: Internal Capacity


Here's something I've learned after years in the trenches of exhibit design and development: all truly high-quality museums share one critical characteristic. It's not their flashy architecture, their famous collections, or even their generous budgets. It's something far more fundamental.

High-quality museums have strong internal capacity.

Now, I'm not saying these museums create everything internally—that would be impossible and frankly, unwise. But they can handle many things in-house, and more importantly, they know exactly what those things are. Great museums understand their strengths and double down on them. They also know their weaknesses and where to find the right help.

High Quality = Internal Capacity

The Long Game
Developing genuine museum quality means thinking beyond your opening day celebration. You need a crystal-clear vision of what your institution will look like two, three, or more years down the road—not just two months after you cut the ribbon.

This requires investing in thoughtful experiences, dedicated staff, and deep expertise for the long haul. As Jane Werner wisely puts it: "Invest in staff, not stuff!"


The Two Questions That Matter
In my practice, I often pose two straightforward questions to museum partners:

1) How will you (the staff inside your museum, not contractors or consultants) fix things that break or don't work?

2) How will you transform great new ideas into real exhibits and programs?

If you can't provide credible answers to both questions, you're setting yourself up for trouble. You'll spend your days frantically putting out fires—dealing with problems that could have been anticipated, on top of all the truly unexpected challenges that will inevitably arise.

Even worse? Your bright, shiny museum will inevitably become dingy and boring. And I don't just mean physically—I'm talking about its intellectual and emotional spirit too.


Culture Beats Everything
Creating a robust institutional culture of internal capacity is the defining difference between a great museum and a mediocre one. But here's a crucial point: building strong internal capacity doesn't mean working in isolation.

Quite the opposite, actually.

When you truly understand your institution's strengths and weaknesses, you gain clarity about when and where to invest your precious time and resources. Those investments might involve tapping into local community expertise, sending staff to conferences, pursuing professional development opportunities, or yes—sometimes bringing in consultants to help build internal capacity in areas where you need it most.

You have many choices.

What's not a choice is doing nothing.

Because doing nothing will surely begin the slide from "high quality" to "who cares?" And honestly, is that the kind of museum you want to be part of?



Wednesday, August 20, 2025

Postcards from the Future!


Last month, during a workshop in Bulgaria, I did an activity called "Postcards from the Future!"

It allowed workshop participants to synthesize some of the work we did earlier in the week and to share a future goal related to the workshop content with a partner.

Basically, each participant chatted about their goals, and then had a partner create a "Postcard from the Future!" that would give them a nudge, or ask about progress, and offer help with what they would be working on in a month or so.

(We gathered up all the postcards and will be sending them out to each participant at the end of this month.)

It was such a fun activity that I thought, "Why not do this for my ExhibItricks blog?"

So, if you send me a postcard with a short message (and your return address) about a project you are working on, or a sticky museum/exhibit problem you are trying to solve, I promise to send you back a cool "Postcard from the Future!" with some friendly encouragement and/or my suggestions.

And who doesn't like receiving a postcard in the mail?


You can send your postcard to:

POW! World Headquarters
1684 Victoria Street
Baldwin, NY 11510
U.S.A.


P.S.  This offer is open to anyone around the world, since I have readers and subscribers from outside the United States.




Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

Paul Orselli writes the posts on ExhibiTricks. Paul likes to combine interesting people, ideas, and materials to make exhibits (and entire museums!) with his company POW! (Paul Orselli Workshop, Inc.) Let's work on a project together!

If you enjoy the blog, you can help keep it free to read and free from ads by supporting ExhibiTricks through our PayPal "Tip Jar"

Monday, August 11, 2025

Museum Materials Hacks: When Home Depot Meets High-Touch Design



Today, we're diving into the delightfully scrappy world of unconventional exhibit materials. When creativity kicks into overdrive, and the hardware store becomes your new best friend. 

Because sometimes the best exhibit solutions are hiding in aisle 7, next to the paint brushes.

Here are some of my favorite "Wait, That's Not What It's For" materials:


Pool Noodles

Those colorful foam cylinders aren't just for cannon-balling into pools anymore. I've seen them used for:

• Edge Protection  -- slice lengthwise and slip over sharp corners.                          

• Cable Management  -- hollow core = perfect conduit for wiring.  

• Kid-friendly barriers -- Zip-tie them together for the world's friendliest crowd control                      

• Padding for shipping crates -- Cut to fit, way cheaper than custom foam.

Pro tip: Buy them off-season in bulk. 




Shower/Curtain Rings 

These little metal or plastic rings are the unsung heroes of flexibility.

• Quick-change graphics -- Hang banners that swap out seasonally.

• Modular displays -- Connect lightweight panels that reconfigure easily.   

• Interactive elements --Create flip-through graphic cards.

• Budget-friendly hardware  -- Sometimes you need 50 rings and $0.79 each beats custom fabrication costs.




Velcro

Industrial-strength Velcro is your secret weapon for:

• Removable artifact labels -- For non-invasive mounting. 

• Modular wall systems --Panels that stick and unstick without damaging surfaces. 

• Interactive components -- So visitors can move exhibit elements around safely.

• Temporary installations -- Perfect for pop-up exhibits/graphics in awkward spaces.





PVC Pipe: The Lego of Adult Museum Professionals

• Custom display stands -- Adjustable height, lightweight, paintable.

• Cable raceways -- Run power and data wherever you need it.

• Modular structures --Think jungle gyms, but for artifacts.





Magnetic Sheets

Thin, flexible magnetic sheeting transforms any metal surface into an interactive playground.

• Changeable graphics --Print directly onto magnetic material.  

• Kid-height interactive zones -- Magnetic poetry, anyone?

• Staff work areas -- Instant bulletin boards on metal cabinets.

 



Household Items with Museum Potential:

• Ice cube trays -- For organizing small artifacts during installs.

• Lazy Susans for rotating displays -- Because everything is better when it spins.   

• Drawer organizers -- For tool storage in Maker Spaces.

• Tension rods --For instant, non-permanent hanging systems.




Reality Check!

Before you go wild with the zip ties and duct tape, let's insert a quick Reality Check:

When to DIY: Quick fixes, temporary installations, tight budgets, prototyping, staff work areas.

When to call the Pros: Anything structural, high-traffic areas, permanent installations, safety-critical components, anything involving valuable artifacts.

The Golden Rule: If visitors will touch it, lean on it, or if it's holding something irreplaceable, spend the money on proper materials and installation.

So, next time you're wandering through a hardware store, grocery store, or even scrolling through Amazon, ask yourself: "How could this solve my exhibit problem?"

You'd be amazed at what creative solutions emerge when you stop thinking about objects in terms of their intended purpose.

The best museum design hack is the one that works for YOUR space, YOUR budget, and YOUR visitors. Now go forth and MacGyver responsibly!






Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

Paul Orselli writes the posts on ExhibiTricks. Paul likes to combine interesting people, ideas, and materials to make exhibits (and entire museums!) with his company POW! (Paul Orselli Workshop, Inc.) Let's work on a project together!

If you enjoy the blog, you can help keep it free to read and free from ads by supporting ExhibiTricks through our PayPal "Tip Jar"

Sunday, August 3, 2025

18 Years of ExhibiTricks!



The ExhibiTricks blog turned 18 this summer!

Since June 2007, I've been posting roughly once a week -- so I've built up quite a "back catalog" of ideas to share.

Here are four "blasts from the past" that are among the most popular ExhibiTrick posts:

Are Exhibit Timelines So Boring Because of the Lines? 

There are soooo many timelines in exhibitions -- can't we make them more interesting, both physically and conceptually?

Hayao Miyazaki's Museum Manifesto

Hayao Miyazaki is a film artist who has created some amazing animated films for Studio Ghibli in Japan. He has also created one of my all-time favorite museum manifestos, which I think is worth revisiting from time to time.

Many Ways To Say Thanks

Most donor recognition installations in museums are really ways to say thanks.  And who could argue with that? Here's a post with lots of interesting examples.

Are Screens Killing Museums?

I still think museums default to screen-based solutions too often, without really considering other design alternatives.  This post is memorable for me for the amount of "hate mail" it generated!


THANKS to everyone who has been along for the ride -- whether for the whole eighteen years, or for just the past few months.


Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

Paul Orselli writes the posts on ExhibiTricks. Paul likes to combine interesting people, ideas, and materials to make exhibits (and entire museums!) with his company POW! (Paul Orselli Workshop, Inc.) Let's work on a project together!

If you enjoy the blog, you can help keep it free to read and free from ads by supporting ExhibiTricks through our PayPal "Tip Jar"

Saturday, July 19, 2025

Back to Bulgaria!


I'm excited to be heading back to Blagoevgrad, Bulgaria, in just a few days to kick off the FIFTH edition of the MUSE Academy program sponsored by the America for Bulgaria Foundation (ABF).

The MUSE Academy will equip Bulgarian professionals from museums and other cultural organizations with the tools to create compelling exhibits and tell powerful stories that will keep visitors returning for more.

I am doubly excited to share the MUSE Academy teaching stage with colleagues Isabella Bruno and Christina Ferwerda!

Also check out this article from the ABF website, which shares more information about my work and the MUSE Academy. Follow me on Facebook and Instagram, where I will post live updates from Bulgaria!



Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

Paul Orselli writes the posts on ExhibiTricks. Paul likes to combine interesting people, ideas, and materials to make exhibits (and entire museums!) with his company POW! (Paul Orselli Workshop, Inc.) Let's work on a project together!

If you enjoy the blog, you can help keep it free to read and free from ads by supporting ExhibiTricks through our PayPal "Tip Jar"

Monday, July 14, 2025

Beyond Buttons, or How I Learned to Stop Worrying and Love the Analog.


I get it. You walk into a museum planning meeting and someone inevitably says, "What if we just put a touchscreen on it?" It's like the exhibition equivalent of putting bacon on everything – sure, it works, but sometimes you need to step back and remember that not every problem needs a digital solution.

Don't get me wrong, I'm not a Luddite. I'm typing this on a computer, after all (shocking, I know). But there's something enjoyably subversive about creating engaging, interactive experiences that don't require a single pixel, USB port, or software update. 


The Case for Going Analog

There's something primal about physically manipulating objects. We're tactile creatures who spent thousands of years figuring out the world through our hands, not our fingertips on glass.

And here's the kicker: analog interactions are often more memorable. When was the last time you remembered a specific touchscreen interaction? Now think about the last time you turned a really satisfying crank or pulled a lever that made something dramatic happen. 


Mechanical Marvels That Actually Work

The Mighty Lever System
Nothing says "I have the power!" like a good lever. Some museums have visitors lifting actual cars with giant levers.  These exhibits demonstrate powerful mechanical principles that make visitors feel like they have superhuman strength. The key is making the payoff dramatic – don't just move a small weight, move something that makes people go "whoa."

Pro tip: A satisfying clunk when something locks into place is worth its weight in engagement metrics.




Gear Trains Tell Stories
Gears are visual poetry. They're also perfect for showing cause and effect, which is the holy grail of interactive design. Create a gear system where turning one element starts a chain reaction.
Maybe it's showing how a clock works, or how an appliance like a mixer operates. The trick is to make it detailed enough to be fascinating, simple enough to understand.



The Humble Crank
Never underestimate the power of a good crank. It's immediate, satisfying, and gives visitors a sense of control. Use it to power animations, reveal hidden information, or create sounds. The classic "crank a generator" component can power dazzling visual and physical effects, while allowing visitors to directly experience how their physical energy can transform into electrical energy. 


Making It Work in the Real World

Durability is Key
If you're creating mechanical interactions, build them like tanks. Visitors will push, pull, crank, and manipulate your exhibits in ways you never imagined. Use materials that can handle abuse and design mechanisms that fail gracefully. A broken interactive exhibit is worse than no interactive exhibit.


Clear Instructions, Obvious Affordances
Make it immediately obvious what visitors should do. If it's meant to be turned, make it look turnable. If it's meant to be pushed, make it look pushable. Don't make people guess – confusion kills engagement faster than broken technology.






Maintenance Plans Matter
Mechanical doesn't mean maintenance-free. Create exhibits that can be easily cleaned, adjusted, and repaired by your existing staff. Document everything, and make replacement parts easy to source. Future museum employees will thank you.


The Secret Sauce: Emotional Payoff
The best analog interactions create emotional responses. The surprise of a hidden compartment opening. The dramatic moment when a lever lifts something heavy. Design for those moments of delight, frustration, and ultimate satisfaction.
 
Remember, you're not just creating an activity – you're creating an experience. The best analog interactions make visitors feel smart, powerful, or surprised. Sometimes all three.



The Bottom Line

In a world of endless screens and digital overload, analog interactions offer something refreshing: direct, immediate, tactile engagement with ideas. They're reliable, memorable, and often more engaging than their digital counterparts. Plus, they won't become obsolete when the next operating system update drops.

So the next time someone suggests "just adding a touchscreen," take a deep breath and consider the alternatives. Sometimes the best way forward is backwards – or sideways, with a really good crank!



Don't miss out on any ExhibiTricks posts! It's easy to get updates via email or your favorite news reader. Just click the "Sign up for Free ExhibiTricks Blog Updates" link on the upper right side of the blog.

Paul Orselli writes the posts on ExhibiTricks. Paul likes to combine interesting people, ideas, and materials to make exhibits (and entire museums!) with his company POW! (Paul Orselli Workshop, Inc.) Let's work on a project together!

If you enjoy the blog, you can help keep it free to read and free from ads by supporting ExhibiTricks through our PayPal "Tip Jar"