Over the past ten(!) years that I've been writing the ExhibiTricks blog, I've conducted interviews with museum folks from around the world. I always love going back to these interviews to be reminded of the various practitioners and points-of-view in the museum business. (You can do a search on "interviews" in the search box on the right-hand side of the ExhibiTricks front page to peruse my "back catalog.")
One of my favorite questions to put to interviewees is: If money were no object, what would your “dream” exhibit project be?
But I'd like to open this question up to all ExhibiTricks readers --- If money were no object, what would your “dream” exhibit project be? Please let us know in the "Comments" section at the bottom of this post.
I've been thinking about "dream projects" a lot lately, so I've gathered up some responses to that question from some great museum folks that I've interviewed on the blog previously and included them below:
Erika Kiessner: I would love to do a science exhibition about a city, embedded in the city landscape. I imagine walk-up exhibits on street corners and points of interest that draw your attention to something in the vicinity and give a science-based explanation for it. From architecture to wind patterns, local flora to material properties, there are elements of a city that are easy to take for granted even if there are fascinating explanations for them.
For example, in Toronto one of the big downtown office buildings has a cantilevered portion that suspends 13 stories over the sidewalk. An exhibit there might draw an area on the ground with the statement “Standing here there are XX thousand pounds of concrete suspended above you!” Then an explanation about how the building is constructed to support the structure overhead.
Dan Spock: I’ve got tons of them in reserve, but the most impractical one I’ve always wanted to do is a combination museum and resort hotel where you’d get to live, sleep and eat in the museum. It would have guest rooms, lounges, restaurants, a pool, a bar, a day spa, all of which are a part of game-like exhibits you can party in around the clock with other guests. The museum could be about anything, but maybe it would be about a journey of self-realization. Something about the choices you make in life and where they lead you, a place where you can experiment with alternative paths and identities you’d never dare take in real life.
Jamie Glavic: My dream museum project would be to host a part Dirty Jobs, part How It’s Made, part Mysteries at the Museum. The show would highlight off the beaten path, interesting destinations/hidden gems around the world/the untold stories behind collections. The show could be titled, "It Belongs in a Museum!" It could also highlight the many museum jobs that exist outside the realm of curator, docent, and director. Hmmm...maybe "You Belong in a Museum" would be better.
Clifford Wagner: I’d love to put together a team to make an exhibit that helps people really think about their place in the world and how we can help achieve sustainable well being for all people and for the planet. I sincerely believe we have the knowledge to do so. It wouldn’t be an easy exhibit to create—it’s a tough topic. But I can’t imagine anything more important.
For me, the most important question of all is How are you helping? How are you helping all of us have quality lives? For us working in museums, the way we help is to make things that enrich our visitors’ lives. We help visitors understand science phenomena, we make creative spaces where kids play and grow.
Carol Bossert: I don’t think it is a matter of money,women in science that have won the Nobel Prize. Each of these women tells a fascinating story, sometimes just because their lives seemed so ordinary yet they made extraordinary contributions to science. I also think they would serve to put real faces on specific scientific achievements and this would help make science more accessible and interesting to many.
Jason Jay Stevens: I'd like to cast a set of giant ceramic upright bells.
For centuries, the Chinese used hand bells to measure the volume of dry goods in the marketplace; there were strict regulations for the making of the bells and particular notes represented particular quantities. I love this overt correspondence between two seemingly disparate things: sound and quantity. So each of my giant bells would correspond to a particular standard volume ("one cubic meter," "one hundred bottles of beer," "boot space in a 1954 VW Beetle"). We can call the exhibit "The Well-Tempered Volume."
Is money really no object? The bells would be mounted on gimbal yokes of solid oak, installed beneath a great pavilion, surrounded by gardens organized in a taxonomic maze, and full of sonorous sculptures activated by wind and water.
Really really no object? I would like to make a second set of these bells and install it in the Antarctic. Wouldn't it be nice to know there is a set of giant upright bells on the bottom of the world?!
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