Wednesday, March 7, 2018

Small Spaces in Big Museums


On a recent visit to the Museum of Fine Arts (MFA) in Boston with my family, it wasn't just the big exhibition galleries and art that impressed me, but also some smaller, more intimate, exhibition spaces.

In particular, the Musical Instruments gallery was a perfect "right-sized" museum experience.  As you can see by the section of museum map from the MFA below, the space is barely bigger than the nearby ticketing desk area.


However, while small, every aspect of the Musical Instruments gallery was polished to jewel-like perfection.

To begin with, the space was slightly off the main entrance and easily missed if you were rushing into some of the special exhibition galleries.  Unlike most of the galleries in the MFA, Musical Instruments was sealed by a heavy glass door that blocked out the sound from the rest of the museum.  This was highlighted by the soft music playing inside the gallery --- very appropriate considering the subject of the gallery's contents!

The instruments on display were unusual and interesting (like the ceremonial trombone pictured at the top of this post) and because the space was small, with only a few other people inside, it rewarded careful observation and concentration.  Minute details that might otherwise be glossed over in the hustle-and-bustle of larger MFA galleries, were instead admired and appreciated.


The Musical Instruments gallery experience felt like an exhibit oasis in the middle of the MFA.  As a visitor, I appreciated the respite and felt recharged to explore some of the bigger, busier galleries.

So here's to small museum spaces!  How might you add a small or quiet moment to your museum or to your next exhibit project?



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Monday, February 26, 2018

Making Math (More) Fun for Museum Visitors


As I've been working on exhibit installations and new museum building (re)opening at The Discovery Museums in Acton, MA, I've been thinking about how to present and interpret different bits of content -- like MATH.

Lots of people claim to "hate" math topics, but I've recently fallen down the rabbit hole of Numberphile, a great math-oriented website and related YouTube channel filled with all sorts of clever ideas that should be of interest to educators and exhibit designers alike.

One of the things I like best about the Numberphile videos is that each mathematician is so enthusiastic, you can't help but get excited and interested in things like "circle inversions" that you might not have even given a passing thought to before.

While I've honestly enjoyed every Numberphile presenter I've seen, some are particular standouts.

Tadashi Tokieda often relates his math talks to toys or familiar materials.  Here's a video (embedded below or on YouTube) that shows all the fun topological ways to play with a strip of paper, some paper clips, and rubber bands.



Hannah Fry is a funny presenter who often ties the mathematics of game theory to real life situations like winning Rock, Paper, Scissors (video below or on YouTube) or Secret Santa, or making the best online dating profile.



If you are a bit "math shy" or even an avowed mathphobe, click on over to Numberphile!  I'm sure you will find something to pique your interest there.


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Friday, February 16, 2018

President Trump is No Friend to Museums (or Libraries, or PBS, or NASA ...)


Follow the money.  As with any budget, you can tell a lot about the interests and priorities of the White House by looking at their latest proposed budget.

While lawmakers are unlikely to enact most of Trump's proposal, here’s a direct look at some of the pages from the FY 2019 Budget that proposes to eliminate the primary government agencies that fund museums and cultural agencies.

IMLS

















NEH




















NEA




















The proposed FY 2019 Budget also calls for the elimination of PBS and the NASA Office of Education, as well as agencies like the National Wildlife Refuge Fund and the Chemical Safety Board.

Just because the current President is a short-fingered vulgarian doesn't mean that the United States government should not support arts, culture, and science.

Please contact your Representatives and Senators in Washington to tell them that a great country does not eliminate support for agencies like IMLS, NEA, NEH, and PBS.



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Monday, February 5, 2018

What If You Evaluated EVERY Part Of Your Museum Every Day?


What if you evaluated EVERY part of your museum every day?  That was the question I asked myself after reading this NewYorker magazine article about the Finnish company HappyOrNot.

These "frictionless" 4-button terminals let people leave feedback without even breaking stride. And HappyOrNot's terminals have already been installed in more than a hundred countries and have registered more than six hundred million responses --- in airports, gas stations, shoe stores, you name it.

While this happy/sad button approach seems incredibly simple (if not downright simplistic) the article is filled with direct business changes and improvements that were made due to the data generated by the HappyOrNot terminals.

And again it makes me wonder what would happen to a museum if you scattered these 4-button wonders throughout your exhibit galleries and near your gift shop, your bathrooms, your cafe?
And if not HappyOrNot terminals how can cultural institutions generate more real-time visitor feedback to improve visitor satisfaction?

Does this seem like an interesting idea or a hare-brained pipe dream?  Are there any museums currently using HappyOrNot terminals.? Give us YOUR feedback in the Comments Section below!



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Thursday, January 25, 2018

Museum Exhibit Design Inspiration: Glow-In-The-Dark Thread!


I love finding interesting exhibit supplies that show up in unexpected places. While working on a recent exhibit design project, I went in search of different types of glow-in-the-dark materials and found Sublime Stitching in Austin, Texas.

If you scroll to the bottom of the handy Tools Section of the Sublime Stitching website you will find the finely braided glow in the dark thread in a palette of five colors to fill all your fiber and phosphorescent needs. (And now you get twice as much tread per spool!)

Several of the other tools highlighted in this section of the Sublime Stitching website, while originally intended for sewing and stitching purposes, will work well for your next prototyping or exhibition project as well.

What unexpected exhibit development resources do you use?

Share your finds in the Comments Section below!


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Tuesday, January 16, 2018

5 Things That Great Dining And Great Museum Experiences Have In Common


Let me tell you about Bigelow's.  It's a little "hole in the wall" sort of place near my home on Long Island known for its fried clams. Bigelow's has been in business in the same spot since 1939.  I went there for lunch today with my youngest son Philip, and in-between our sighs of pleasure and chatting it up with our fellow diners, I was reminded of how much a great dining experience is like a great museum experience.

1) Everyone Knows Where It Is

I know you can use Google Maps or Yelp, but if you ask somebody at a hotel front desk or a taxi driver where a local restaurant or museum is, they should be able to tell you right away. If the place is really good, they should also be able to enthuse about a memorable experience that they or a friend had there recently.  I remember visiting a city whose (unnamed) museum was practically across the street from the well-known professional football stadium, and not one taxi driver knew where that museum was located or had even heard of it.  That's sad.

2) You Feel Welcomed Right Away

Even if it's the first time you've been there, a great museum or dining spot makes you instantly feel welcomed and at ease.  It's a combination of the physical entry sequence (starting in the parking lot) and the staff people at the entrance that do the trick. You feel like you are in the right place and are starting out your visit in a positive way.  Think about the qualities of the places that always make you feel welcomed (and the ones that don't!)

In the case of Bigelow's, you see the stools around the horseshoe-shaped counter (so you know where to sit right away) and the straightforward menu board lets you see your options (so you can start thinking about what you'd like to eat or drink as soon as you sit down.)  

Contrast that with some museums where you have no idea where to pay your admission, or how to figure out which things you want to do or pay for.

Welcome to Bigelow's!

3) Friendly Staff Anticipate Your Needs

You never wait for your water glass to be refilled, or twiddle your thumbs waiting for the check at a great restaurant. That's because the people who work there are alert and genuinely attentive to their customers' needs.  Great museums have actual floor staff interacting with visitors, not just chatting in a corner by themselves.  Wonderful dining and museum experiences share an important social component.  A positive interaction with a staff person often adds to the overall experience.


4) You Tell Friends About The Place And Want To Take Them There

A fantastic experience at a great place is one you want to share with other people. There's a reason "word of mouth" advertising is so sought after --- you can't fake it or spend your way there.  If you had a remarkable museum experience you tell other people about it.  And you want to go back there to share that positive experience with people you care about.  I've written blog posts about "museums worth a special trip" those places you would travel out of your way to go see based on a friend's recommendation.  I would definitely put places like The City Museum in St. Louis, or Chanticleer Garden outside Philadelphia in that rarefied category. 

Bigelow's is worth a special trip!


5) Memory Makers!

The best museums (and restaurants!) are memory makers.  They are the places that are part of every story that starts with "Remember the time we ..."  They are the places that you want to post on Facebook or Instagram because you felt the experience was worth capturing and sharing.  The picture at the top of this post shows my friends Bistra and Nadia from Muzeiko in Bulgaria after a lunch we shared at Bigelow's.  They asked for me to bring them somewhere that was real "Long Island."  And even though they both grew up thousands of miles away, they loved it!  And what business can ask for more than that?

As you are starting out your New Year and thinking about ways to improve the museum(s) you work for, maybe a trip to your favorite local restaurant can give you just the right kind of "food for thought" to inspire making some memorable changes for your visitors!

Facebook-ready "food for thought" from Bigelow's!




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